Cindy Sherman, Untitled Film Still #35, 1979, gelatin silver print, 15 7/8 × 12 3/8 inches (40.3 × 31.4 cm). Courtesy of the artist and Metro Pictures, New York.

Women House at the National Museum of Women in the Arts, Washington, DC.

On view March 9 through May 28, 2018.


“Women House,” a provocative new exhibition at the National Museum of Women in the Arts (NMWA), challenges traditional ideas about gender and domesticity.

The exhibition presents work by 36 global artists, including Louise Bourgeois, Judy Chicago, Mona Hatoum, Zanele Muholi, Leticia Parente, Martha Rosler, Miriam Schapiro, Cindy Sherman, Laurie Simmons, Rachel Whiteread, and Francesca Woodman. NMWA is the only U.S. venue for the exhibition, which is organized by La Monnaie de Paris.

“Women House” forms a sequel to the famous project Womanhouse, developed in 1972 by Judy Chicago and Miriam Schapiro. The artists and their students at the California Institute of the Arts transformed a dilapidated Hollywood mansion with works that disrupted conventional ideas about the home as a feminine space. It attracted thousands of visitors and national media attention. A landmark exhibition in art history, Womanhouse was the first female-centered art installation to appear in the Western world.

Continuing the dialogue with their artistic foremothers of the 1970s, the contemporary artists in "Women House" recast conventional ideas about women through photography, sculpture, installation and video. Organized across eight themes, “Women House” emphasizes the plurality of women’s views on the home from Desperate Housewives to Mobile Homes.

Camille Morineau, director of exhibitions and collections at La Monnaie de Paris who curated “Women House” with Lucia Pesapane, said, “This exhibition is partially a political gesture. I am hoping that in ten years the level of information about women artists will be the same as for male artists.”

“Women House” shows the enormous contributions of women artists to a topic that has received surprisingly little scholarly attention since 1972,” said NMWA Director Susan Fisher Sterling, “It is about traditional gender roles in our society, and demonstrates how women artists have challenged and revised our ideas about women, home and hearth.”

#WomenHouse



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